| CAMERA |
|
Red #17 owned by Steve Tammi, Otter Creek Productions |
|
Firmware Build # 8 |
|
Shot 4K 2:1 (cropped to 16x9 in conform) mixed with 2K up to 72fps. |
|
Primarily 24fps @ 1/48th shutter or 25fps @ 1/50th shutter, (depending on street lights.) |
| |
| LENSES |
|
Primarily Zeiss Ultra Primes |
|
Zeiss Super Speeds for Night Exteriors |
| |
| WORKFLOW |
|
Output "stand alone" Quick Times from Red Alert |
|
Edited in Final Cut Pro |
|
Pre-grade conform in Scratch |
|
Graded on Assimilate Scratch at Technicolor New York, by Tim Stipan, January 2008 |
|
Post grading conform & titles on Fire at Technicolor by Jesse Morrow |
|
REC 709 color space, Output 4K DPX files (for delivery to RED) |
|
Down Res to 1920x1080 TIFFs |
|
Generated Quicktime in After Effects |
|
Compressed to High Quality H264 in Final Cut via Compressor |
